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120 Days of Christmas, 2026–27 edition

Duck Soup Forever

Marx Brothers’ Day

A Marathon of Marx Brothers Movies

About Duck Soup Forever

There are many ways to describe the feeling of Mardi Gras. Or you could just put on Duck Soup and let the Marx Brothers do it for you. Today is Duck Soup Forever, an all-day film marathon honoring the anarchic brilliance of Groucho, Harpo, Chico, and (occasionally) Zeppo. It is anti-authoritarian musical slapstick and verbal chaos at its highest art. The day is best framed in three movements: one film in the morning (to ease into absurdity), another in the afternoon (to lose track of time), and a final screening in the evening (ideally in pajamas, with bottomless popcorn). Friends may drift in and out. Children, too. Blankets multiply and soda flows. The Marx Brothers are Carnival distilled, mocking power, delighting in absurdity, and breaking into song without warning. Watch on a projector, if you can. At the very least, promise not to watch on your phone. That is no way to honor a duck.

Inspiration

I laughed so hard at the Marx Brothers as a kid that my stomach hurt the next day. My daughter did the same when she was finally old enough to watch Animal Crackers. Neither of us caught all the jokes. How could we? The gags pile up breathlessly, layered with slapstick, musical detours, and relentless volleys of dialogue. There’s something contagiously funny about a Marx Brothers movie when you watch it with others. The story rapidly devolves into an unhinged mess, and just when the film seems ready to fly apart, a moment of unexpected sweetness lands, or a charming song-and-dance number breaks out. Magic. The Marx Brothers began in vaudeville before moving into radio, Broadway, and eventually film. Their peak came in the 1930s, a decade that desperately needed reasons to laugh. Duck Soup (1933) was a commercial failure at the time—too political, too strange—but it has since become a defining work of anti-authoritarian comedy. Even the structure of their films was revolutionary: plot usually took a back seat to chaos. Groucho breaks the fourth wall long before it was common. Harpo plays the harp in the middle of a courtroom scene. Chico decides to impersonate a pilot, a lawyer, a professor (or anyone at all) simply to see what happens. If Carnival is about joyful reversal and mocking pretension, then the Marx Brothers can be counted among its ambassadors.

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Watch

  • Duck Soup (1933)

    A blistering satire wrapped in musical numbers, wordplay, and visual gags. Groucho plays the president of Freedonia, a fictional nation embroiled in war over the flimsiest of pretenses.

  • A Night at the Opera (1935)

    Groucho, Chico, and Harpo infiltrate high society and upend every room they enter. The stateroom scene alone secures its place in comedy canon, but it’s the blend of tenderness and total nonsense that makes this one of the Marx Brothers’ most accessible and beloved films.

  • Monkey Business (1931)

    The brothers stow away on a cruise ship and wreak havoc from deck to dance hall. With no disguises and no regard for continuity, the film is a fast-moving showcase of pure silliness. It features some of Harpo’s best physical comedy and Chico’s sharpest patter, all served aboard a plotless joyride.

  • Animal Crackers (1930)

    Groucho arrives as Captain Spaulding, a bombastic African explorer whose dinner party descends into farce. High-society satire, stolen paintings, and lightning-paced banter make this one a proto-Duck Soup.

Listen

  • Everyone Says I Love You by the Marx Brothers

    Featured in Horse Feathers, this tune is performed multiple times by different brothers, each in their own unique style. The repetition becomes a running gag, with Harpo’s harp solo version adding surreal sweetness to the irreverence.

Read

  • Groucho and Me by Groucho Marx

    Groucho’s 1959 autobiography is equal parts memoir, wisecrack, and showbiz chronicle. In it, he traces his rise from vaudeville stages to cinematic stardom, always with razor wit and signature cynicism.

  • Harpo Speaks! by Harpo Marx

    Co-written with Rowland Barber in 1961, this autobiography recounts Harpo’s childhood, adventures, and friendships (including a surprising turn as a Soviet goodwill ambassador), all with generosity and humor.